Anne Deguelle
Diary - Mansart, 2015, éléments naturels et manufacturés, dessins, néon, plâtre, verre, bois, papier, carton, 1000 x 300 cm, vue d’exposition 8+/-2, commissariat Azad Asifovich, Galerie Mansart, Paris, 2016
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Nicolas Puyjalon
Coeur Corail, Saison 1 Épisode 1, 2019, performance, en duo avec Estelle Vernay, photo Régis Baudoin
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Agnès Fornells
Hecho en México, 2016, ensemble de trois double-textes espagnol/français, 40x30 cm
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Agnès Fornells
Le poids d’un sac léger, 2006, tampons sur papier de soie pour cerf-volant
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Anne Deguelle
To sleep to dream no more, 2010, vidéo, 4’44, couleur, projection sur tapis oriental
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Anne Deguelle
Poignée, 2008, verre , métal, boite en carton 33 x 26 x 6,5 cm
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Marion Mounic
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Emmanuel Simon
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Audrey Martin
Darkness, 2017, impressions offset et estampe sur papier occultant, aimants, 63 x 90 cm chaque
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Audrey Martin
Global Damages, 2013, dispositif, impression numérique sur papier Trucard, dimensions variables
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Rémi Groussin
Vostfr, 2017, installation, subtitles on glass plates and mirrors, steel frame, 200 x 200 cm
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Lucie Laflorentie
Strata and Dust Memory, 2019, wall engraving, rimer, pigments
Marion Mounic L’amour n’est pas un crime
2023
Site specifi walldrawing
Henna, wallpaper glue
489 x 430 cm
Exhibition view SOL ! La biennale du territoire #2 - Soleil Triste, MO.CO. Montpellier Contemporain, France, 2023
L’amour n’est pas un crime, 2023, site specifi walldrawing, exhibition view SOL ! La biennale du territoire #2 - Soleil Triste, MO.CO. Montpellier Contemporain, France, 2023, photo Pauline Rosen-Cros
L’amour n’est pas un crime, 2023, site specifi walldrawing, exhibition view SOL ! La biennale du territoire #2 - Soleil Triste, MO.CO. Montpellier Contemporain, France, 2023, detail, photo Pauline Rosen-Cros
L’amour n’est pas un crime, 2023, site specifi walldrawing, exhibition view SOL ! La biennale du territoire #2 - Soleil Triste, MO.CO. Montpellier Contemporain, France, 2023, detail, photo Pauline Rosen-Cros
This wall drawing, made with henna, shows in negative the phrase “Love is not a crime” written in Arabic. This phrase is used as a slogan by Moroccan women and the LGBTQIA+ community to claim their rights and access new freedoms. The dimensions of the work (4m89) refer to article 489 of the Moroccan penal code criminalizing homosexuality and which was incorporated into the law during the French protectorate. The use of henna leads us to think about the body, with this characteristic smell which accompanies places of intimacy, freedom or even resistance, and which, here, permeates the exhibition room.
Stefania Meazza, exhibition booklet excerpt Et j’ai vu le bout du pays où les nuages sont infinis, volet I, BBB centre d’art, Toulouse, France, 2022
L’amour n’est pas un crime, 2023, site specifi walldrawing, exhibition view SOL ! La biennale du territoire #2 - Soleil Triste, MO.CO. Montpellier Contemporain, France, 2023, details, photos Pauline Rosen-Cros