Anne Deguelle

Diary - Mansart, 2015, éléments naturels et manufacturés, dessins, néon, plâtre, verre, bois, papier, carton, 1000 x 300 cm, vue d’exposition 8+/-2, commissariat Azad Asifovich, Galerie Mansart, Paris, 2016
Diary - Mansart, 2015, éléments naturels et manufacturés, dessins, néon, plâtre, verre, bois, papier, carton, 1000 x 300 cm, vue d’exposition 8+/-2, commissariat Azad Asifovich, Galerie Mansart, Paris, 2016
Coeur Corail, Saison 1 Épisode 1, 2019, performance, en duo avec Estelle Vernay, photo Régis Baudoin
Hecho en México, 2016, ensemble de trois double-textes espagnol/français, 40x30 cm
Le poids d’un sac léger, 2006, tampons sur papier de soie pour cerf-volant
To sleep to dream no more, 2010, vidéo, 4’44, couleur, projection sur tapis oriental
Poignée, 2008, verre , métal, boite en carton 33 x 26 x 6,5 cm
Darkness, 2017, impressions offset et estampe sur papier occultant, aimants, 63 x 90 cm chaque
Global Damages, 2013, dispositif, impression numérique sur papier Trucard, dimensions variables
Vostfr, 2017, installation, subtitles on glass plates and mirrors, steel frame, 200 x 200 cm
Strata and Dust Memory, 2019, wall engraving, rimer, pigments
2013
Dispositif
Series of postcards, 10.5 × 14.8 cm, digital print on Trucard paper
dimensions variables
Production La Panacée, Centre d’Art Contemporain - Ville de Montpellier
Global Damages, 2013, dispositif, impression numérique sur papier Trucard, dimensions variables
Global Damages, 2013, dispositif, impression numérique sur papier Trucard, dimensions variables
Global Damages, 2013, dispositif, impression numérique sur papier Trucard, dimensions variables
This series of numbered postcards portrays simulations of natural disasters caused by the impact of a meteorite with the Earth.
Anybody can modify the scientific data (weight, mass, speed, angle of meteorite) on the site www.purdue.edu/impactearth to create the catastrophic collision of their choice. Thanks to the British scientists who created this site, man can be the instigator of his own end and can master it in front of his computer.
In an almost ironic gesture, we are given an unconditional (virtual) power, allowing us to control the universe – literally playing God. The destruction of the earth becomes a game, a banal act. Behind this simulation, science offers us concrete results, as if this kind of catastrophe is the norm.