Pour une poésie du quotidien.

Camille Bardin

La pièce est plongée dans l’obscurité. Un mélange d’eau et de fluorescéine excité par des rayons ultra-violets crée l’unique source de lumière qui s’extirpe progressivement d’un épais glaçon que la température et le temps liquéfient. Au gré des aspérités du sol et à mesure que les heures s’écoulent, une étendue d’eau se dessine et envahit lentement l’espace d’exposition.



Extract, read the full text here

Text by Camille Bardin on the work of Marion Mounic, produced by Jeunes Critiques d’Art and published online on YACI - international young art criticism.

Author

Camille Bardin is an independent art critic, exhibition curator and founder of the PRÉSENT.E podcast. After writing for various magazines, she joined the Jeunes Critiques d’Art collective, committed to criticism that she wants to be independent and engaged. She became co-president in 2019 and co-founded the international confederation YACI the same year. Since 2020, she has been hosting the podcast PRÉSENT.E, which offers an intimate look at the creative process and now has around fifty episodes. Today, she also contributes to the writing of exhibition catalogues and monographs for various galleries and institutions, co-hosts the programme Traversée and presents the monthly podcast Pourvu Qu’iels Soient Douxces produced by Projets média and conceived by Jeunes Critiques d’Art. Camille Bardin is the winner of the 2021 AICA prize.