Elsa Brès
Love canal, 2017 film 2K 5.1, 18 minutes, capture d’écran
L’amour, acte de résistance
Sélection d'œuvres issues du fonds documentaire DDA Occitanie
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Marianne Plo
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Marion Mounic
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Maxime Callen
La Ville Côtière, 2013 - in progress, multifaceted project, illustrative image from the website lavillecotiere.fr
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Nicolas Puyjalon
Une ronde d’amour, modèle vivant·e, 2026, performance, les Abattoirs, Musée – Frac Occitanie Toulouse, Toulouse
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Émilie Franceschin
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Émilie Franceschin
Io non sono il tuo mare, 10th june 2013, performance, 14 minutes, Convento San Domenico Maggiore, Napoli, Italy, photo Francesca Fini
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Socheata Aing
Les festin de papier peint, 2023, installation, fragments and folding of wallpaper on linoleum, 300 x 300 cm, view of the group show Une affaire de famille, 2024, Passerelle Centre d’art contemporain, Brest, France, detail, photo Aurélien Mole
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Socheata Aing
View of the solo show Les cheveux blancs de ma mère, 2024, Station V, Bayonne, France, photo Le Second jeudi
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Socheata Aing
S’occuper de ses oignons, 2019, participative performance, FOMU-Fotomuseum Antwerpen, Antwerp, Belgium, 2024, photo Johan Poezevara
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Socheata Aing
Narcisse avait une sœur, 2023, performance, photo Adrien Canto
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Julie Saclier
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Guilhem Roubichou
Carte au trésor, 2024, wall chalk painting from several Noé’s drawings and “treasure maps”, detail ; Mobile, 2024, steel, Noé’s signature, cut by plasma, photo Vincent Boutin
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Béatrice Utrilla
La mère de Jérôme, 2017, court-métrage, 21 min 02 sec
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Béatrice Utrilla
Florilège, 2016, photographies issues des séries La Californie (2011) et Par a dice (2016)
Émilie Franceschin Si je vole c'est pour toi
2016
Video
6 minutes 44 secondes
In collaboration with Frédéric Lavoie
As part of the creation residency at ENAC, Toulouse, France
Si je vole c’est pour toi, 2016, video, 6 minutes 44 secondes, in collaboration with Frédéric Lavoie
During our residency at the École Nationale d’Aviation Civile in Toulouse, with Frédéric Lavoie, we became interested in drones, highly sophisticated tools used in particular in the context of war. Contrary to their highly precise and efficient nature, we staged a drone that becomes human, prey to its feelings, delivering messages of love and distress.
