Notes for Les sanglières, 2021 mixed-media installation one projection, two screens, two speakers, phosphorescent paint
Exploring confrontation and the relations between human and non-human, Brès questions anthropocentric fictions of ‘Nature’ that make our existence within an interconnected ecology hard to recognise. Constructing a non-human world in which wild boars are the primary protagonists, this experimental fiction artwork uses quantitative ecology tools to help guide its script – including geospatial mapping systems and a team of algorithmically animated boars. Manipulating data points, Brès uses mapping as a tool to open up new prospects for alliances between human and non-human. Sitting somewhere between the real and virtual, the world she constructs helps us imagine alternate ways of seeing the world, confronting prevailing anthropocentric philosophies towards a speculation for a communism of the living. Traversing the borders between artistic production, research and exhibition, the work builds towards the production of Brès’ new film (Les Sanglières) to be shown at a future edition of transmediale. Ben Evans James, curator of ‘remote.response.request’ exhibition, transmediale 2021, Silent Green, Berlin.
© Adagp, Paris
Notes for Les Sanglières, 2021, installation
Notes for Les Sanglières, 2021, installation
Notes for Les Sanglières, 2021, installation
Notes for Les Sanglières, 2021, installation
Notes for Les Sanglières, 2021, installation
Notes for Les Sanglières, 2021, installation
Notes for Les Sanglières, 2021, installation
Notes for Les Sanglières, 2021, installation
Notes for Les Sanglières, 2021, installation