Sempervirent·e

Sempervirent·e is conceived as an organic installation forged by materials, forms, and symbols. Clay from the Comminges region covers the walls in drawings more or less recognizable, while ceramic and wooden handholds allow access to the capitals. At the heart of the installation is the almost eponymous film, in which the Gargas cave and La Chapelle converse with each other. The work evokes myths and vernacular crafts : stalagmites made by felted wool, barn wattle and daub, timber framing and wood-fired ceramics, everything is a matter of correspondences and echoes.